Monday 8 September 2008

Height Linked To Risk Of Prostate Cancer Development And Progression

�A man's height is a modest marker for risk of prostate cancer development, merely is more than strongly joined to patterned advance of the cancer, say British researchers who conducted their have study on the joining and besides reviewed 58 published studies.


In the September issue of Cancer Epidemiology, Biomarkers & Prevention, a journal of the American Association for Cancer Research, 12 researchers at quartet universities in England studied more than 9,000 men with and without prostate malignant neoplastic disease and estimated that the risk of developing the disease rises by around six per centum for every 10 centimeters (3.9 inches) in height a man is over the shortest group of hands in the study. That means a man world Health Organization is one foot taller than the shortest person in the study would have a 19 pct increased danger of development the disease.


Still, these increases in risk are a lot less than those linked with other effected risk factors, such as age, category history of the disease, and race. Because of that, the researchers do not intimate that taller men be screened more often than is typical, or that their cancer treatment be altered.


"Compared to other risk factors, the magnitude of the additional risk of being taller is small, and we do not believe that it should interfere with preventive or clinical decisions in managing prostate cancer," said the study's lead author, Luisa Zuccolo, M.Sc., of the Department of Social Medicine at the University of Bristol. "But the perceptivity arising from this research is of great scientific interest. Little is known on the causes of prostate cancer and this association with height has opened up a new line of scientific inquiry."


For example, Zuccolo says that factors associated with height - non height itself - could be risk of exposure factors for progression to fatal prostate gland cancer, and a plausible mechanism slow this association could be the insulin-like growth factor-1(IGF-1) system, which stimulates electric cell growth and has been shown to be involved in prostate cancer incidence and progression.


Because some studies have shown a much greater association between height and prostate cancer peril - some between 20 to 40 percent - the researchers then placed their results in the context of available evidence. They conducted a meta-analysis of 58 studies, and found evidence that greater stature is associated with increased prostate gland cancer risk of exposure. But as in their study, the overall effect varied with study design and was modest - a trey to 9 percent gain risk of development per 10 centimeters, and fivesome to 19 percent increment in risk for more than advanced cancer.


"We do not believe that height itself matters in determining risk of prostate cancer or prostate cancer progression, simply we speculate that factors that influence height whitethorn also influence cancer and height is therefore acting as a marker for the causal factors," Zuccolo said.


The missionary work of the American Association for Cancer Research is to prevent and cure crab. Founded in 1907, AACR is the world's oldest and largest professional arrangement dedicated to advancing cancer the Crab research. The membership includes more than 28,000 basic, translational and clinical researchers; health care professionals; and malignant neoplastic disease survivors and advocates in the United States and 80 other countries. AACR marshals the full spectrum of expertise from the cancer community to accelerate progress in the prevention, diagnosis and treatment of cancer through high-quality scientific and educational programs. It funds innovational, meritorious research grants. The AACR Annual Meeting attracts more than 17,000 participants world Health Organization share the latest discoveries and developments in the field. Special conferences end-to-end the

Tuesday 19 August 2008

Download Jefferson Starship mp3






Jefferson Starship
   

Artist: Jefferson Starship: mp3 download


   Genre(s): 

Rock: Pop-Rock

   







Discography:


Greatest Hits: Live At The Fillmore
   

 Greatest Hits: Live At The Fillmore

   Year: 1999   

Tracks: 6
Deep Space - Virgin Sky
   

 Deep Space - Virgin Sky

   Year: 1995   

Tracks: 16
Earth
   

 Earth

   Year: 1978   

Tracks: 9
Spitfire
   

 Spitfire

   Year: 1976   

Tracks: 9
Red Octopus
   

 Red Octopus

   Year: 1975   

Tracks: 10
Dragon Fly
   

 Dragon Fly

   Year: 1974   

Tracks: 8






Jefferson Starship was among the approximately successful arena rock bands of the seventies and early '80s, an even greater commercial entity than its harbinger, Jefferson Airplane, the band out of which it evolved. Many Jefferson Airplane fans decried the group's fresh, more than than mainstream musical burden, especially afterwards Airplane singers Grace Slick and Marty Balin benumbed in 1978. But with shifting personnel office, Jefferson Starship managed to please its unexampled fans and some old ones over a menstruation of a decade before it shifted gears into even more overtly pop territory and changed names erstwhile again to suit simply Starship.


Thomas Jefferson Airplane, the seminal San Francisco psychedelic rock band of the sixties, noted for its hits "Soul to Love" and "White person Rabbit," began to fragment in the early '70s. Lead guitar player Jorma Kaukonen and bassist Jack Casady progressively were lost with their by-product group Hot Tuna, piece the band's other creative axis, rhythm guitarist/singer Paul Kantner (born Paul Lorin Kantner in San Francisco, CA, March 17, 1941) and vocalist Grace Slick (born Grace Barnett Wing in or close Chicago, IL, October 30, 1939), having go a romantic twosome, had their own musical and political interests, and singer Marty Balin (born Martyn Jerel Buchwald in Cincinnati, OH, January 30, 1942), the uneven man out, had become sufficiently disenchanted with the band he himself had formed that he give up Jefferson Airplane at the end of a tour over the Thanksgiving weekend in 1970. The undermentioned workweek power saw the release of Blows Against the Empire, Kantner's debut solo album, which he had recorded with a long list of player friends from Jefferson Airplane, the Grateful Dead, and Crosby, Stills & Nash, among others. To pay tribute to this loose-knit studio corps de ballet and refer to the album's scientific discipline fiction theme, Kantner co-billed the record album to "President Jefferson Starship," even though thither was, as even, no such lasting entity. Nevertheless, the record album featured performers wHO would be members of Jefferson Starship when it was naturalized as a literal band, in particular Kantner, Slick, and Quicksilver Messenger Service phallus David Freiberg (born in Boston, MA, August 24, 1938).


A twelvemonth by and by, in belated 1971, Kantner and Slick released a couple album, Sunfighter. One track, "Earth Mother," was a vocal written by Jack Traylor, a senior high English instructor and acquaintance of Kantner's, and on track guitar was stripling Craig Chaquico (born September 26, 1954), a pupil of Traylor's and a phallus of his ring, Steelwind. Jefferson Airplane gave what turned out to be its last carrying out in September 1972, by which time Freiberg had united the chemical group. The next album out of the Jefferson Airplane troupe was Baron von Tollbooth & the Chrome Nun, credited to Kantner, Slick, and Freiberg, and released in the springtime of 1973, an album that featured the other members of Jefferson Airplane in subsidiary roles, and on which Chaquico too appeared. Many of the same musicians appeared on Grace Slick's debut solo album, Manhole, released in early 1974.


When it became unmistakable that Kaukonen and Casady were non interested in reconvening Jefferson Airplane, Kantner decided to cast a permanent touring band without them. The name "President Jefferson Airplane" was co-owned by Casady, Kantner, Kaukonen, Slick, and the band's manager, Bill Thompson. So, Kantner determined to call up the revised unit Jefferson Starship. The new ring began with the odd elements of the old one: Kantner on rhythm method guitar and vocals; Slick on vocals; Freiberg on vocals and keyboards; Papa John Creach (born John Henry Creach in Beaver Falls, PA, May 18, 1917; died February 22, 1994) on electric violin; and John Barbata (born in Passaic, NJ, April 1, 1945) on drums. Chaquico, soundless a adolescent, just at least out of high school, was the coherent selection for lead guitarist. Jorma Kaukonen's brother Peter (wHO had appeared on Blows Against the Empire, Sunfighter, and Manhole) was brought in on bass. The banding began rehearsals in January 1974 and opened its first base tour in Chicago on March 19. The turn ran through April, after which the set prepared to go into the studio. Peter Kaukonen did non work out, yet, and he was replaced in June by British vet Pete Sears (born May 27, 1948), wHO had worked on Manhole.


During the recording roger Sessions in July, Kantner reunited with Marty Balin to write the power lay "Carolean," which Balin in agreement to sing on the record album. Kantner and Slick weasel-worded their bets by putt their names on either side of the identify "Thomas Jefferson Starship" on the cover of the album, Dragon Fly, when it was released in October 1974. They needn't let apprehensive. Even though the individual "Ride the Tiger" petered out at act 84, Dragon Fly exactly lost the Top Ten and went gold inside sestet months, merchandising as intimately as Jefferson Airplane albums in general did. Balin joined the set onstage at its performance at the Winterland dance hall in San Francisco on November 24 (four old age later on his last Jefferson Airplane appearance) and then in agreement to bring together Jefferson Starship as a permanent member.


With Balin aboard, the eight-member Jefferson Starship went back into the studio in February 1975 to track record its second record album and came out in June with Red ink Octopus, which sour out to be the best-selling record album of the intact Jefferson Airplane/Jefferson Starship/Starship life history, largely due to the presence of Balin's lay "Miracles," which became a Top Ten hit. (Slick and Sears' "Play on Love" was likewise a singles chart accounting entry.) The album first base hit figure one (which no Jefferson Airplane album had ever through with) in September, and bounced in and out of the tip spot for the next two months. Eventually, it sold over 2 1000000 copies. (At this peak, Creach quietly exited the set.)


Red Octopus set a radiation diagram for the succeeding 2 Jefferson Starship albums. Balin, whose passion songs had dominated the other years of Jefferson Airplane, only world Health Organization had been shunted aside by the more than political and abstract interests of other bandmembers, returned to a major part thanks to the commercial achiever of "Miracles." Unlike Jefferson Airplane, which precious the individual expression of its members, yet off-the-wall, Jefferson Starship was interested in fashioning commercial-grade euphony, fifty-fifty if it was written by citizenry outside the band. Spitfire, released in June 1976, was some other million-seller, boast the Balin-sung Top 20 hit "With Your Love." Earth, released in February 1978, likewise went pt, spurred by the Top Ten hit "Count On Me" and its Top 20 followup, "Runaway."


The commercial-grade success masked increasing personnel department problems, however, and those problems came out during the band's European turn in June 1978, when Slick, hurt from some compounding of unwellness and substance clapperclaw problems, lost shows and gave substandard performances. She left the turn early, and at s finis Balin as well resign the band. After the left members returned home to reorganise, Barbata was involved in a serious car accident that forced him to drop prohibited. This left unexpended members Kantner, Freiberg, Chaquico, and Sears to human body out what to do side by side. In January 1979, they brought in veteran rock music drummer Aynsley Dunbar (born in Liverpool, England, January 10, 1946) to replace Barbata. In April, Mickey Thomas (born in Cairo, GA, December 3, 1949), earth Health Organization possessed the soaring tenor voice in arrears the Elvin Bishop Group's 1976 score "Fooled Around and Fell in Love," was drafted in to replace both Slick and Balin. This revamped sestet went into the studio in June 1979, and in October the pointedly coroneted fifth Jefferson Starship album, Freedom at Point Zero, was released. Critics carped that, with Balin and Slick gone, and Thomas installed, the band's sound was undistinguishable from that of knowledge base rock stalwarts like Boston, Foreigner, and Journey. But, of track, those bands were marketing in the millions, whatever the critics idea, and Chaquico even took the comparisons as a congratulate. The album spawned a Top 20 score in "Jane" and, patch it did non match the success of its predecessors, it reached the Top Ten and went gold, verifying the new adaption of the banding, at least in commercial terms.


Kantner addressed the criticisms on the side by side Jefferson Starship album, Modernistic Times, released in the outflow of 1981 in a song called "Staircase to Cleveland (We Do What We Want)." The album, a gold-selling Top 40 score featuring a Top 40 unmarried in "Find Your Way Back," was also renowned for background vocals by Grace Slick (and a duo with Thomas on "Unknown"). Slick, having sweep over her personal problems, had launched a fully fledged solo life history, issuance albums in 1980 and early 1981. But when Jefferson Starship toured in the summer, she went along, and shortly was indorse as a fully fledged bandmember.


In September 1982, Aynsley Dunbar left Jefferson Starship and was replaced by Donny Baldwin, another quondam member of the Elvin Bishop Group. The band's succeeding album, Winds of Change, was released the following month. It sported two Top 40 hits, "Be My Lady" and the title song, and it eventually reached gold-record status. Nuclear Furniture, released in May 1984, enjoyed comparable success, spawning the Top 40 score "No Way Out." By this point, however, Kantner was no yearner willing to represent the band's area rock tendencies. Feeling that he had lost control of the grouping, he determined to leave behind it, playing his last show on June 23 earlier quitting. He also felt, yet, that the band should melt without him, and when the other members disagreed, he sued all over money and the rights to the identify "President Jefferson Starship" in October 1984.


Kantner's suit was settled in March 1985 with a john Cash defrayment and the compromise that "President Jefferson Starship," a identify to be owned 51 percent by Slick and 49 percent by manager Bill Thompson, would be retired in favour of "Spaceship," the name by which the band would continue to work. Starship went on to considerable commercial-grade winner in the second half of the eighties before splitting up in the early '90s. Kantner went on to form the K.B.C. Band, featuring Marty Balin and Jack Casady, which made peerless self-titled album in 1986, and then to take part in a one-off reunion of Jefferson Airplane in 1989. In 1992, he organized a new band with which he toured under the identify Jefferson Starship. (He sometimes billed it as "Jefferson Starship -- The Next Generation.") He did non have the legal right-hand to do this, simply neither Slick nor Thompson took action to halt him. In fact, Slick, though she had stated herself retired afterward the Jefferson Airplane reunification, made occasional appearances with Kantner's band. Marty Balin, Jack Casady, Papa John Creach, and regular original Jefferson Airplane female isaac Bashevis Singer Signe Anderson too performed in it at various times. As of the 1995 live album Rich Space/Virgin Sky, the band's lineup was Kantner, Balin, and Casady, summation Darby Gould (formerly of World Entertainment War) on vocals, lead guitar player Slick Aguilar and keyboardist Tim Gorman (both of the K.B.C. Band), and Prairie Prince (from the Tubes) on drums, with Grace Slick as guest vocalist. As of 1999's new studio album Windows of Heaven, vocalist Diana Mangano and keyboardist T. Lavitz of the Dixie Dregs had coupled. The two-CD live album Across the Sea of Suns, issued in 2001, featured Kantner, Balin, Mangano, Aguilar, Prince, and keyboardist Chris Smith. Kantner's Jefferson Starship too sells CDs of its concerts on its official website, world Wide Web.jeffersonstarshipsf.com.





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Saturday 9 August 2008

The Hives

The Hives   
Artist: The Hives

   Genre(s): 
Indie
   Rock: Punk-Rock
   Alternative
   



Discography:


The Black and White Album   
 The Black and White Album

   Year: 2007   
Tracks: 14


Tyrannosaurus Hives   
 Tyrannosaurus Hives

   Year: 2004   
Tracks: 12


Your New Favourite Band   
 Your New Favourite Band

   Year: 2001   
Tracks: 12


Veni vidi vicious   
 Veni vidi vicious

   Year:    
Tracks: 12


Barely Legal   
 Barely Legal

   Year:    
Tracks: 14




 






Tuesday 1 July 2008

Count Basie Orchestra

Count Basie Orchestra   
Artist: Count Basie Orchestra

   Genre(s): 
Jazz
   



Discography:


Basie's Bag   
 Basie's Bag

   Year: 1992   
Tracks: 9




 






Edwin McCain

Edwin McCain   
Artist: Edwin McCain

   Genre(s): 
Other
   



Discography:


Scream and Whisper   
 Scream and Whisper

   Year: 2004   
Tracks: 14




A rootsy singer/songwriter with ties to jazz and soul as well, Edwin McCain hails from Charleston, SC, and it was with the support of native sons Hootie & the Blowfish that McCain signed with Atlantic Records. Let it not be aforementioned that McCain never earned his contract: his touring schedule is among the most rigorous in music -- 300-plus nights per year -- and his dynamic stria (guitarist Larry Chaney, bassist Scott Bannevich, drummer Dave Harrison, and sax player Craig Shields) gained deference and accompaniment slots for similarly minded artists like Hootie, Jewel, and even the Allman Brothers. Signed to Atlantic's Lava subsidiary company in 1995, the group debuted with Honour Among Thieves. The unmarried "Solitude" gained support at VH1, prompt the acquittance of 1997's Ill-conceived Roses, which scored a mainstream strike in the song "I'll Be." Messenger followed in 1999 with another love-themed success, "I Could Not Ask for More," and Far from Over appeared deuce age after. McCain was dropped from Atlantic after the acquittance of Far from Over, merely he actually quickened his recording pace, cathartic The Austin Sessions in 2003 and Scream & Whisper in 2004. Keeping up with his unappeasable tour agenda through the years, the live DVD Tinsel and Tap Shoes: Live at the House of Blues appeared in late 2004. McCain's succeeding studio apartment feat, Helpless in America, was issued in April 2006 on Vanguard. Nationwide tour dates continued through leap and summer.






Third Rail

Third Rail   
Artist: Third Rail

   Genre(s): 
Drum & Bass
   



Discography:


Covert Operations (COV014)   
 Covert Operations (COV014)

   Year: 2005   
Tracks: 3




 






Nonpoint

Nonpoint   
Artist: Nonpoint

   Genre(s): 
Metal
   Metal: Alternative
   



Discography:


To The Pain   
 To The Pain

   Year: 2005   
Tracks: 14


Recoil   
 Recoil

   Year: 2004   
Tracks: 13


Statement   
 Statement

   Year: 2000   
Tracks: 12




Formed in Miami in 1997, Nonpoint is an interracial substitute metal/rap-metal quartet that consists of two Puerto Ricans (singer Elias Soriano and drummer Robb Rivera) and two whites (guitar player Andrew Goldman and bassist KB). Occasionally, the bilingual Sorian (a native of New Jersey) sings and raps in Spanish, although the huge bulk of Nonpoint's lyrics are in English. The bring up Nonpoint is derived from Nonpoint Factor, which was the bring up of the outfit that Rivera (world Health Organization is originally from New York) light-emitting diode in Puerto Rico earlier moving to South Florida. Goldman and KB, meanwhile, ar ex-members of a South Florida band called Fuse. Nonpoint's showtime CD, Separate Yourself, was released independently in 1997 and was followed by 1999's Struggle on Jugular and 2000's Statement on MCA. After several tours with artists wish Sevendust, Linkin Park, and Staind, the band stepped back into the studio and returned in the summer of 2002 with Development. The band spent the following year touring extensively, most notably making an appearance at Ozzfest. They released Recoil in 2004, a 13-track solicitation of streamlined ability that included a cover up of Phil Collins "In the Air Tonight."